1 in R&B charts at the height of Elvismania. Jon Hendricks later added lyrics and used "Listen to Monk" as the title. The alto saxophonist heard in this excerpt is, The bassist and composer heard in this listening example is, The harmonic dissonances, unusual scales, open form, and heavy reliance on ostinato suggest that this piece was composed by, The main theme of this piece is based on a repetition of the. For each of the following sentences, cross out any word that has an error in capitalization and correctly write the word above it. - great exploration and experimentation of simple ideas. The bass switches from an ostinato to a walking bass. COOL JAZZ Give an example of third-stream music and describe how it merges aspects of classical music and jazz. Thelonious Monk's family felt that he suffered from _____, which was made worse by his fondness for drink and amphetamines. B. they start cringing on the trees. The alto saxophonist heard in this excerpt is (00:30) Cannonball Adderley. concerto-form works designed to feature soloists. His tune "Gunslinging Bird" criticized unimaginative players who copied Charlie Parker. Next year I will take finearts\cancel{\text{fine arts}}finearts (Fine Arts) II, american\cancel{\text{american}}american (American) history, and advancedalgebra\cancel{\text{advanced algebra}}advancedalgebra (Advanced Algebra). She had a very limited vocal range, Singer known for her joyous, versatile voice: wide vocal range, dynamic contrast, timbre contrast. M-Base= Macro-Basic Array of Structured Extemporization The temperance movement was linked to the of alcohol. driven by harmonic structure (vs big band drven by melody). and more. He actively performs around the New York metropolitan area and is the author of the Hal Leonard publication "Visual . Hawkins version confirmed it as a jazz and pop standard. John Coltrane signaled his interest in modal jazz by recording a 15-minute version of the following Broadway tune, reducing its harmony to a few chords over a pedal point: "Chasin' the Trane," John Coltrane's first foray into the avant-garde, makes relentless use of the following technique: John Coltrane's A Love Supreme is unusual in that it, is divided into four "movements" with abstract titles (e.g., "Acknowledgement"), With his 1965 album Ascension, John Coltrane made clear his adherence to, The style of music on Miles Davis's 1960s albums like E.S.P., which expressed a balance between the conventions of modern jazz and the free-wheeling jazz avant-garde, is known as. - form: march/ragtime with alterations E 3. Heres another alternative version with Gerry Mulligan that I dont especially like. But this is only sedate by Monk standards. In 1950 he formed a septet, and later re-formed the big band as the New Testament, with studio musicians and Freddie Green. History of Jazz: Chapter 11 Listening Quiz, Byron Almen, Dorothy Payne, Stefan Kostka, Snapshot - Iowa Statutes, Rules, and Regulati. Bubber Miley, "Tricky" Sam Nanton, and Harry Carney (baritone sax, deep and rich) were key unique players. I call this collection of pitches the yin scale. Arranged for different style mutes. 1. 10 terms. Quis autem velum iure reprehe nderit. In his second quintet in the 1960s, Miles Davis relied on the composing talents of this tenor saxophonist: The theme of John Coltrane's A Love Supreme was. She was also an excellent scat singer. All of the following are true of Wes Montgomery's pop recordings except. Though the weather can be warm, Kazak men wear their traditional felt hats. -Small-group swing, 32-bar pop song, AA'BA. Cymbals and tom-toms used. Both are humanly engineered; both are conceptual and auditory, and these factors have been . _____, a flamboyant bebop saxophonist from Los Angeles, was inspired by Lester Young. _________ was the pianist and leader of the Modern Jazz Quartet. c. shoe polish Instead, he trips and stumbles and staggers through the meter, yet somehow he always lands precisely where he intends to. hard bop. Which of the following is one Charles Mingus's contributions to jazz? Billy Higgins drum transcription available, plus a Solo Piano Arrangement, parts for two tenors, and a new quintet arrangement. Leadsheets $1.49/ea B-flat C bass clef C treble clef E-flat Drums $5.99/ea Higgins Drum Transcription Piano $3.99/ea How is bebop musically distinct from the big band style? Use the clues to complete the crossword puzzle. - Bebop's agitated, yet highly intellectual style What happens underneath the saxophone solo? Features stride piano with call with dissonance and response by band. Played with Moten until his death, then own band. Thelonious Sphere Monk (Rocky Mount, North Carolina 10th October 1917 - Hartsdale, New York 17th February 1982) was a jazz pianist and composer. -the bass plays a walking bass line. Holiday uses repeated pitches on the first three notes, "A-sail-boat" for rhythmic affect to replace the corny ascending melody of the song. This piano solo features which of the following? Some fans found it invigorating, whereas others considered it "musical nonsense", Within a year of recording A Love Supreme, John Coltrane shifted him musical direction toward, avant-garde, free music that reflected the turbulent times. Rewrite each sentence following the instructions in parentheses. Ch 6 jazz. fretless bass, proponent of traditional/historicist jazz The jazz composer Thelonious Monk wrote about ___ pieces, Thelonious Monk's professional career began in, Monk's approach to improvisation is striking in its use of. The last chorus contains a riff that Thelonious Monk later used for his composition "Rhythm-a-ning." Features stride piano with call with dissonance and response by band. The recording takes place in an informal, jam-session environment, suggesting that "A Night in Tunisia" should be thought of as part of the ____ tradition, The tenor sax player heard in "Autumn Nocturne" is, The female vocalist on this recording of "Blue Skies" is, This excerpt of "Blue Skies" prominently features, During this excerpt of "Blue Skies," the vocalist, sings with great range and pitch accuracy. - features: jazz improvisation over a rhythm-and-blues groove; harmonic progression, loosely based on the blues, that incorporates modern jazz harmonies; Hubbard (cornet) and Hancock's (piano) bluesy improvisation, - style: historicist Monks comping behind Charlie Rouse is even crazier. Jazz Chapter 13 Flashcards | Quizlet Among the techniques that Wes Montgomery developed was(were), playing solo lines with his thumb and the use of octaves, This improvised solo in this excerpt from "A Night in Tunisia" begins with, The texture at the beginning of "Vendome" is, alternation between a fugue and a popular song, The extended solo improvisation without accompaniment in this excerpt from "Autumn Nocturne" is called, In his last passage in this excerpt from "Autumn Nocturne," the soloist makes striking use of. HARD BOP Peter and (them, they) are practicing skateboard tricks. I Got Rhythm." The focus is on devices deployed by Corea to break free from the. Harmony: solidified blues scale/form as the harmonic foundation. On F7: Play the yang scale for an implied F9(b5 #5) sound. Has "exotic" opening mood played by Juan Tizol (trombone, plus Lawrence Brown); eventually switches from Latin to swing. The last chorus contains a riff that Thelonious Monk later used for his composition "Rhythm-a-ning." Anybody can match up chords and scales once theyve put in some time with a jazz theory textbook. rhythm a ning lyrics - bgm-concept.eu He thought that the word "jazz" marginalized black musicians; he was "beyond category". Hard bop bands kept the mainstream jazz audience engaged by emphasizing. 2. In the recording at the top of this post, remember how Monk starts his solo with that crazy substitute progression that starts on F#7 and then cycles back home to Bb? literature. Arthur believed that the situation was ?\underline{? Cootie Williams (trumpet), Johnny Hodges (alto sax), and Barney Bigard (clarinet). Both Marsalis and Moran add on to the songs they are covering, expanding and exploring them. How were the albums by Miles Davis second great quintet received? While his 1957 recordings with John Coltrane are deservedly famous, Monk's longest and most consistent musical partnership was with this tenor saxophonist: Duke Ellington's co-composer and author of "Take the 'A' Train", Duke Ellington's and his mother called him Bill, featuring "Blood Count" and "Lotus Blossom," was a tribute album to, Although Mingus made his reputation in New York City, he was raised and trained in, Mingus's "Fables of Faubus" was a protest sparked by, the integration of Central High School in Little Rock, Arkansas. -Swing, 32 bar popular song (AABA). - contributed to Chicago jazz style - series of albums (Cookin, Relaxin, Steamin, Workin) Click the card to flip . Also, listen to the beginning of Monks solo at 2:02. Listen to his comping behind Charlie Rouses tenor sax solo; no one else plays like that. The first theme is in E minor. G 4. - EX: "Spirit Possession" w Max Roach, - influential post bop pianist Played theaters and dance halls. The quintessential bebop piano texture developed by Bud Powell featured: chords in the left hand, and blindingly fast and intricate improvisations in the right hand. playing like every extremity of the body is each doing its own thing but worked together (drummer Max Roach), a genre of jazz that aims for mainstream popularity and commercial success, Afro-Cuban jazz- an example of fusion with elements of Cuban music and American big band; founded on clave rhythms; expanded rhythm section (timbales, congas, bongos, maracas, claves, guiros), a technique devised in bebop in which the bass drum plays strong accents, phrases that avoid strong downbeats and stretch the meter (Bill Evans Trio), the joining of two types of music, especially the mixing of jazz and rock in the 1970s, carry on the traditional Big Bands of Count Basie, Duke Ellington, Woody Herman, etc, Stacking chords- crams in more chords (notes) at a really fast speed (John Coltrane), a composed section of music that frames a small-combo performance, appearing at the beginning and again at the end, a style of jazz devised in the 1950s that relied heavily on modal improvisation, an evolutionary viewpoint in jazz that says art is continually evolving from simplicity to complexity, two bar rhythmic phrase- repeated, driving rhythmic force in Latin jazz, modal jazz - Short melodic ideas subject to variation and development, pushed boundaries of hard bop and modal jazz, without venturing avant-garde: new harmonic frameworks/forms, greater freedom in rhythm section; Miles Davis Second Great Quintet- "ESP", omit the first note of chord (or just not have it at bottom)-- changes the sound of the chord and gives in tenison, associated with bebop; improvising by running eighth note lines, often with doubletime passages, a rapid-fire attack in an attempt to play every note in every chord (harmonic superimposition- John Coltrane-- "Giant Steps"), percussive style of playing electric bass that provided new possibilities as a solo voice, improvised vocal melody- like melodic paraphrase, influential as both an instrumentalist and singer, almost singlehandedly changed the sound of jazz. Rhythm-A-Ning - Learn Jazz Standards On G7: Play the yang scale for an implied G9(b5 #5) sound. He believed that using a small number of scales instead of chords as a basis for improvisation could enable an improviser to think more melodically. - EX: "Teen Town", fusion bassist -Billie Holiday Mingus consistently drew inspiration from the following Swing Era bandleader and composer: Mingus's small ensemble, a loosely organized group of musicians willing to perform his work, was known as the. - created a cosmology steeped in black nationalism and Egyptian history and the planet Saturn; elaborate costumes/stage shows/choreography - Nina Simone: "mississippi goddam". However, Marsalis embellishes the music in the style of Morton, while Moran adds strains to the harmony that are considered his own. Rhythm: one of the first to refine jazz rhythms: swinging 8th notes, loose phrasing, syncopated accents. Listen to his comping behind Charlie Rouse's tenor sax solo; no one . John Lewis. Survey of Jazz Flashcards Midterm 2 Chapter 9, Survey of Jazz Flashcards Midterm 2 Chapter 12, Byron Almen, Dorothy Payne, Stefan Kostka. - form: original composition (16 bars) - used unit structures (sections of motives explored) to dictate the piece, - avant-garde pianist (real name Herman Blount) in a big band setting He worked exclusively as a composer-bandleader, not as a instrumentalist. Of the tracks on the album, only "Giant Steps" became a jazz standard. Re-recorded by Cozy Cole in 1958 and became no. _____ Houses were built on raised platforms of varying height so that social distinctions could be observed. A. terrified that they or their loved ones will fall ill. B. committed to praying for the recovery of the ill. C. unaware that people are suffering outside the abbey. C. their colors will be bright, like confetti. Jazz Final. 12-bar blues. Underline three times ()(\equiv)() each letter that should be capitalized. Mary Lou Williams used it in her 1936 arrangement of Walking and Swinging. Listen at 1:13. - harmonic progression based on scales Ben Webster=tenor. Audio. all of the above are correct. You can hear similar ideas in Blue Monk, Ba-lue Bolivar Ba-lues-are, Criss-Cross, Four In One, Epistrophy, In Walked Bud, Played Twice, Well You Neednt, and uncountably many of his improvised solos. Chapter 57 - Listening Guide Quiz 50: Still: Suite for Violin and Piano Do not be misled when words intervene between the subject and the verb or when the subject comes after the verb. In the blues, you often have melodies that dont match the harmony. Because of this, musicians who learn jazz in college are knowledgeable in all styles of jazz rather than focusing on just one. - unusual rhythms/ delayed timing, metric displacement As you might know, "Rhythm-a-Ning" is Monk's best known "Rhythm Changes" composition - the chord progression of which is based on George Gershwin's 1930 32-bar, AABA standard "I Got Rhythm", from which countless tunes have been derived and recorded by countless artists of countless genres. Rhythm a Ningest une composition du pianiste et compositeur de jazz Thelonious Monk. Davis was constantly developing new styles and then moving on. In 1998, senator John Glenn participated in a Nasa mission. How was the social turmoil of the 1960s reflected in jazz? For twenty years cowboys they were paid $90 or less for the two- or three-month journey drove cattle north on the Chisholm Trail. Use a chart like the one shown to organize your thoughts. This kind of displacement is a classic Monk-ism. Music | Art Form, Styles, Rhythm, & History | Britannica D. at first they look like birds perching in the trees. Making generalizations helps readers understand the main points and implications of a work. in later years, he was known as "Philly Jo". At first, they had intonation problems and a restricted repertory of head arrangements. Which of the following was a white, cool jazz, trumpet player who played with a tone similar to Miles Davis and also won a huge following as a singer? Bebop did not cause the first stylistic divide in jazz. From the 1950s to the 1970s, Gil Evans had a long working relationship with the following musician: George Russell wrote a book on music theory titled, Lydian Chromatic Concept of Tonal Organization. Participatory music vs presentational music. at a dissonant interval. Dizzy Gillespie, who died in 1955, had his career cut short by his addiction to heroin, Norman Granz's concerts were rowdy and competitive affairs, dismissed by critics as vulgar and incoherent, This excerpt of "Now's the Time" begins with the sax repeating a short melodic fragment. MODAL JAZZ -Ella Fitzgerald - series of albums (Cookin, Relaxin, Steamin, Workin) -Art Tatum Which of the following is true of Gil Evans? Miles Davis's most famous album was the culmination of his experiments with modal jazz: Miles Davis played a major role in establishing which jazz styles? Later: Jimmy Blanton=bass. Both 33 1/3- and 45-rpm vinyl records were accepted quickly. Cool Jazz: 9 ppl; relaxed tempos; introspective improv- lyricism over virtuosity, greater use of musical space; greater compositional complexity- expanded harmonic palate, unorthodox phrases and meter changes. "Blue Rondo a la Turk" by the Dave Brubeck Quartet Other: popularized scat singing, expanded repertoire beyond that of New Orleans jazz- incorporated Tin Pan Alley, blues, - pianist, composer, arranger (1st impt in jazz) Captured the first steps in what proved to be the transformation of swing to bebop. musicians union strike 1942-4- ban on recording. the opening passage of rhythm a ning features quizlet. Get our FREE guide to discover the proven process for learning and improvising over jazz standards like a pro https://members.learnjazzstandards.com/op/le. The title "Rhythm-a-Ning" refers to its formation based of chord changes of George and Ira Gershwin's "I Got Rhythm". They play block chords in soli. Chapter 53 INQUIZITIVE Listening Activity.docx - Course Hero c. taking liberties with tone qualities (horn players imitating the sound of the human voice) d. Something about which it is usually important to be perceptive In the wake of bebop, jazz composition in the 1950s, supported composers who did not necessarily work as instrumentalists Stride piano. Had aristocratic sophistication in public persona. improvising with scales or modes over very few chords, At age nineteen, Miles Davis was hired to play with. Charlie Parker: "Now's the Time". The drum grooves of "Concerto for Billy the Kid" display the influence of what style? FUSION Which of the following is true of Bud Powell's "Tempus Fugue-It" ? -Mingus worked with and expanded conventional forms, adding effects from gospel, ragtime, bop, classical music, and other sources. weekend review 2.pdf - Question 1 2 out of 2 | Course Hero "Charleston" (1923) the opening passage of rhythm a ning features quizlet Begins with a scat intro then into lyrics. Contained all the attributes that he brought to jazz. Then skim "In Another Country". 1 / 10. four jazz composers represent four approaches to expanding the jazz canvas: -Monk worked with blues and standard song forms. Instruments: Guitar, Choir, Piano Accompaniment. 17 terms. his bebop-styled big bands Thelonious Monk quartet, 1957/1962 Students also viewed. Categories . When the second theme returns in the recapitulation, it's transposed to (G, D, g, E) 3. - moved away from standard comping: fewer chord changes, metric displacement Two slow bass notes per measure. Bechet had shown Ellington New Orleans clarinet. 16-bar pop song, early big band. How many musicians are featured in Miles Davis's "Birth of the Cool" band? monophonic texture and the trumpet and sax playing in octaves. -Gil Evans radically transformed the work of other composers.